Spring 2014    Page 178

The Definitive Piano Buying Guide

Acoustic Pianos

Brand and Company Profiles


including Shigeru Kawai

Kawai America Corporation
2055 East University Drive
Rancho Dominguez, California 90220
310-223-0900 (Shigeru Kawai)

Pianos made by: Kawai Musical Instrument Mfg. Co., Ltd.; Hamamatsu, Japan, and Karawan, Indonesia

Kawai was founded in 1927 by Koichi Kawai, an inventor and former Yamaha employee who was the first person in Japan to design and build a piano action. While Kawai is second in size to Yamaha among Japanese piano manufacturers, it has a well-deserved reputation all its own for quality and innovation. Nearly all Kawai grands and taller uprights are made in Japan; most consoles and studios are made in Indonesia. The company closed its North Carolina factory in 2005.

One of Kawai's most important innovations is the use of ABS Styran plastic in the manufacture of action parts. More than 40 years of use and scientific testing have shown this material to be superior to wood for this purpose. ABS does not swell and shrink with changes in humidity, so actions made with it are likely to maintain proper regulation better than wood actions. The parts are stronger and without glue joints, so breakage is rare. These parts are present in every Kawai piano. In the current Millennium III action found in some models, the ABS is reinforced with carbon fiber so it can be stronger with less mass. Having less mass to move (that is, less inertia), the action can be more responsive to the player's intentions, including faster repetition. Certain contact surfaces on the action parts are also micro-engineered for ideal shape and texture, resulting in a more consistent touch. Although it took a number of years to overcome the idea that plastic parts must be inferior, there is essentially no dispute anymore among piano technicians on this subject.

Kawai's vertical piano offerings change frequently and are sometimes confusing. At present there are three basic series of Kawai verticals. The console series begins with the 44½" model 506N, a basic entry-level console in an institutional-style cabinet (legs with toe blocks). Model K-15 is a 44" version of this in a continental-style cabinet (no legs), and model 508 is a 44½" version in a simple furniture-style cabinet (freestanding legs). Model 607 is the same piano in a fancier furniture-style cabinet. All have the same internal workings. The action in this series is slightly smaller than a full-size action, so it will be slightly less responsive. However, it is more than sufficient for beginner or casual use.

Kawai has replaced both of its former studio models, the UST-7 and UST-8, with the 46" model UST-9, made in Indonesia. This model has the stronger back of the UST-7, rather than that of the UST-8, which was not known for its tuning stability. The UST-9 also contains the Millennium III action; an angled, leather-lined music desk to better hold music; and a stylish, reinforced bench. The 46½" model 907 is essentially the UST-9 in a fancy, furniture-style cabinet.

Kawai's K series of upright models has been updated in 2014, and the model names have been changed. The former K-2, K-3, K-5, K-6, and K-8, all sold in North America, have become the new K-200 (45"), K-300 (48"), K-400 (48"), K-500 (51"), and K-800 (53"). The K-400 is internally the same as the K-300, but its cabinet includes a grand-piano–style music desk (formerly available only with the K-8) and a folding, low-profile fallboard. The K-500 — at 51", two inches taller than the old K-5 — has been extensively redesigned internally, with longer bass strings, a larger soundboard, and a redesigned cast-iron plate.

As before, all K-series models include Kawai's Millennium III actions, made with carbon-fiber composites. The hammers in all models are now made with underfelt and mahogany moldings, which Kawai says improves the responsiveness of the action and the tonal sustain. All models have redesigned, tapered soundboards for improved tonal response; double-braced and steel-reinforced keybeds to prevent warping and flex; and come with slow-close fallboards and adjustable benches. The K-500 and K-800 both feature Kawai's Neotex ivory-substitute key material, and the K-800 comes with a sostenuto pedal. The K-series cabinets have been redesigned for a sleeker, more modern appearance.

Kawai makes three series of grand pianos: GX, GE, and GM. The GX line (formerly RX; see below), which is sold in North America in a version known as the BLAK series, is the most expensive and has the best features. It is designed for the best performance, whereas the GE and GM series are designed more for efficiency in manufacturing, with fewer refinements. The GX/RX pianos are the only Kawai grands with a radial beam structure, focused and connected to the plate using a cast-iron bracket at the tenor break. This system makes for a more rigid structure, which translates into better tone projection. The soundboard of the GX/RX models is tapered for better tonal response, and the rim is thicker and stronger than in the GE and GM models. The BLAK pianos use a new version of the Millennium III action with hammer-shank stabilizers, designed to retain power by keeping the shank from wavering under a heavy blow; have agraffes, duplex scaling, lighter hammers (less inertia), and Neotex synthetic ivory keptops; and come with a slow-close fallboard. The GX/RX grands get more precise key weighting, plus more tuning, regulating, and voicing at the factory. The cabinetry is nicer looking and of better quality than that of the GE and GM series pianos, with the polished ebony models in the new BLAK series receiving a UV-cured, scratch-resistant coating on the music rack.

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Spring 2014    Page 178

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