The Definitive Guide to
Buying New, Used,
and Restored Pianos

SPRING 2012 — page 71

1884 Decker Bros. An 1880s piano is immediately identifiable by the three-paneled jigsaw scrollwork of its front board. This open filigree scrollwork always has repeated patterns, and is backed with rich, brilliantly colored silk. The elaborate legs feature a large top and large base. Victorian pianos have minuscule fold-down music desks, and the cheeks and fallboard are always curved.1884 Decker Bros. An 1880s piano is immediately identifiable by the three-paneled jigsaw scrollwork of its front board. This open filigree scrollwork always has repeated patterns, and is backed with rich, brilliantly colored silk. The elaborate legs feature a large top and large base. Victorian pianos have minuscule fold-down music desks, and the cheeks and fallboard are always curved.

The Victorian Period

1881 B. Shoninger. The kneeboards of many Victorian pianos mirror the top front-panel design. The term Victorian generally describes British society from 1837 to 1901, the years of the reign of Queen Victoria; or, in America, the late 19th century. However, the term defines a collection of interrelated attitudes more than an actual time span, and conjures up images of prudery, domesticity, sentimentality, social conservatism, romanticism, fussy and overfurnished parlors, middle-class stuffiness, and the opulence of an upper class of super-rich industrialists.

Recall the world that had come before. In America, many had lived on the frontier, with only the objects necessary for daily subsistence. The new, urban-based industrial age created an abundance of work for the newly arrived immigrants. There was a significant increase in wages for laborers and clerical workers alike, which in turn led to the formation of a growing class of individuals who were comfortable but not rich. The industrial age produced a new materialistic view of the world that encouraged people to consume as much as they could, and people began to collect things.

SPRING 2012 — page 71

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Copyright 2012 Brookside Press LLC. All rights reserved.

PIANO BUYER HOME

A Message from the Publisher (p. 1)

The Prodigious Power of Piano Playing (p. 7)

Acoustic or Digital: What's Best For Me? (p. 11)

FEATURE ARTICLES

Review: The New Feurich Pianos (p. 49)

Upright Cabinet Styles in American Piano Manufacturing, 1880–1930 (p. 69)

Moving the Family Piano (p. 102)

ACOUSTIC PIANOS

Piano Buying Basics (p. 13)

The New-Piano Market Today (p. 35)

A Map of the Market for New Pianos (Ratings) (p. 44)

Buying a Used or Restored Piano (p. 53)

Buying a High-End Piano (p. 83)

Buying Pianos For an Institution (p. 89)

Piano Maintenance in Institutions (p. 95)

How to Make a Piano Room Sound Grand (p. 97)

Caring For Your Piano (p. 105)

Benches, Lamps, Accessories, and Problem Solvers (p. 110)

DIGITAL PIANOS

Buying a Digital Piano (p. 115)

Digital Piano Basics, Part 1: Imitating the Acoustic Piano (p. 121)

Digital Piano Basics, Part 2: Beyond the Acoustic Piano (p. 128)

My Other Piano is a Computer: An Introduction to Software Pianos (p. 138)

HYBRID & PLAYER PIANOS

Hybrid Pianos (p. 141)

Buying an Electronic Player-Piano System (p. 146)

NEW-PIANO BUYERS' REFERENCE

Acoustic Pianos

Brand & Company Profiles (p. 158)

Digital Pianos

Brand & Company Profiles (p. 263)

Advertiser Index/Photo Credits (p. 288)