The Definitive Guide to
Buying New, Used,
and Restored Pianos

SPRING 2012 — page 180

SMC (Samick’s U.S. distribution subsidiary) began by using the Wm. Knabe name on some of the pianos formerly sold as the World Piano premium line of Samick instruments. In 2002, SMC developed the Concert Artist series for the Knabe name. Highlighting this series are the 5' 8" and 6' 4" grand models, which have been redesigned, based on the original 19th- and early 20th-century Knabe scale designs and cabinet styles in use when the company was based in Baltimore. Features include sand-cast plates, lacquer semigloss wood finishes, Renner actions on larger grands, German hammers, and rims of maple and oak. The company has added 5' 3", 7' 6", and 9' 2" models for the American market. The verticals feature unique cabinet designs with bird’s-eye maple and mahogany inlays, rosewood key inserts, and tone escapement. The 52" upright includes a full sostenuto, hand-activated mute rail, and agraffes throughout the bass section of the piano.

For two years, SMC completed assembly of Concert Artist grands at its Tennessee facility, with strung backs made in Indonesia or Korea. Now, most Knabe pianos are made in their entirety in Indonesia but are still uncrated in the U.S., where they are inspected, tuned, regulated, and voiced before being shipped to dealers.

In 2011, SMC unveiled two additional product lines within the Knabe family: the Academy and Baltimore series. The Academy series has many of the same features and specifications as the popular, upper-end, Kohler & Campbell Millennium brand, also made by Samick: a maple or beech inner rim (grands); a premium soundboard of solid white spruce; German hammers; a Samick Premium Action; satin lacquer semigloss wood finishes; and a Samick-made hornbeam action rail (larger verticals). (See Samick for more about Kohler & Campbell.) The Academy series also boasts two institutional studio uprights, the WMV245 and WMV247, both with full-length music racks, the WMV247 also with agraffes through the bass section.

The Baltimore series offers a more modestly priced alternative to the institutional Academy series or upper-end Concert Artist series. This line features an all-spruce “surface tension” (veneered) soundboard. The grands provide a full sostenuto pedal, slow-close fallboard, fully adjustable music desk and rack, multiple finishes in both satin ebony and wood tones, and, recently, a new designer grand with accents of Bubinga or African Pommele. The verticals showcase a wide range of sizes and cabinet styles, including wood tones in French cherry, traditional mahogany, and Renaissance walnut.

Warranty: 10 years, parts and labor, transferable to future owners within the warranty period.

KOHLER & CAMPBELL — See Samick.

MAMMOTH

Mammoth Piano Co.
Monroe, Washington
877-957-4266
mammothpiano@comcast.net
www.mammothpiano.com

Reminiscent of some piano designs attempted 200 years ago, the Mammoth is one of the most unusual pianos being built today. Dubbed a Vertical Concert Grand, Mammoth’s model VCG stands 7' 2" tall, weighs 1,200 pounds, and has the scale design and sound of a 9' concert grand.

The piano’s immense structure includes six laminated wooden back posts and a welded steel frame, yet despite its bulk, the instrument appears quite attractive in its custom-made cabinet of Brazilian cherry. The soundboard and ribs are of Sitka spruce. The action, invented specifically for this piano, appears superficially to be like that of a vertical, but actually contains the double-escapement feature of a grand piano action.

Inventor-builder Chris Chernobieff got his start assembling dulcimer and harpsichord kits, and branched out into piano service and rebuilding about 15 years ago. Inspired by other technicians who built their own pianos, Chernobieff asked, “Why not me?” Having spent the last several years designing and building the Mammoth, he now has plans for a 6' vertical and some innovative grand models.

Mammoth model VCG retails for $98,000.

SPRING 2012 — page 180

 

 

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Copyright 2012 Brookside Press LLC. All rights reserved.

PIANO BUYER HOME

A Message from the Publisher (p. 1)

The Prodigious Power of Piano Playing (p. 7)

Acoustic or Digital: What's Best For Me? (p. 11)

FEATURE ARTICLES

Review: The New Feurich Pianos (p. 49)

Upright Cabinet Styles in American Piano Manufacturing, 1880–1930 (p. 69)

Moving the Family Piano (p. 102)

ACOUSTIC PIANOS

Piano Buying Basics (p. 13)

The New-Piano Market Today (p. 35)

A Map of the Market for New Pianos (Ratings) (p. 44)

Buying a Used or Restored Piano (p. 53)

Buying a High-End Piano (p. 83)

Buying Pianos For an Institution (p. 89)

Piano Maintenance in Institutions (p. 95)

How to Make a Piano Room Sound Grand (p. 97)

Caring For Your Piano (p. 105)

Benches, Lamps, Accessories, and Problem Solvers (p. 110)

DIGITAL PIANOS

Buying a Digital Piano (p. 115)

Digital Piano Basics, Part 1: Imitating the Acoustic Piano (p. 121)

Digital Piano Basics, Part 2: Beyond the Acoustic Piano (p. 128)

My Other Piano is a Computer: An Introduction to Software Pianos (p. 138)

HYBRID & PLAYER PIANOS

Hybrid Pianos (p. 141)

Buying an Electronic Player-Piano System (p. 146)

NEW-PIANO BUYERS' REFERENCE

Acoustic Pianos

Brand & Company Profiles (p. 158)

Digital Pianos

Brand & Company Profiles (p. 263)

Advertiser Index/Photo Credits (p. 288)