The years from 1880 to about 1900 were a transition period, as some old styles were slow to fade. But some pianos from this period may be suitable for you. A piano with only 85 instead of 88 notes may be perfectly satisfactory if you don't anticipate ever needing the highest three notes. The resale value of such a piano may be slightly lower than its modern equivalent, but so should be the price you pay for it. A piano with an old-style cast-iron plate that, while extending the full length of the piano, leaves the pinblock exposed to view is, for all practical purposes, just as structurally sound as one in which the plate covers the pinblock. Avoid, however, the so-called "three-quarter-plate" piano, in which the plate ends just short of the pinblock. These pianos have a high rate of structural failure. Pianos with actions that are only very slight variations on modern actions are fine as long as the parts are not obsolete and absolutely unobtainable.
Most pianos this old will need a considerable amount of repair and restoration to be fully usable, so the best candidates from this period will be those instruments that justify the expense involved, such as Steinway, Mason & Hamlin, Bechstein, and Blüthner grands, or, in rare instances, a more ordinary brand that has been exceptionally well preserved. With occasional exceptions, the vast majority of uprights and cheaper grands that survive from this period are not worth repairing, unless for historical or sentimental reasons.
The period from about 1900 to 1930 was the heyday of piano manufacturing in America. The piano held an important place in the national economy and as a symbol of culture and social status. Hundreds of small firms turned out millions of pianos during this time; in fact, far more pianos were made annually then than are made today. If you're shopping for a used full-size upright or a grand, some of the pianos you'll see will probably be from this period. Smaller pianos weren't introduced until later. Although some well-preserved instruments from this period may be usable as is, most will need rebuilding, or at least reconditioning.
Those in the market for a used piano often ask for recommendations of specific brands from this period. This is a problem, because the present condition of the piano, the kind of use you'll be giving it, and the cost of the piano and repairs are far more important factors than the brand when considering the purchase of an old piano. Even a piano of the best brand, if poorly maintained or badly repaired, can be an unwise purchase. Time and wear are great levelers, and a piano of only average quality that has not been used much may be a much better buy. Nevertheless, since that answer never satisfies anyone, I offer a list (see box) of some of the brand names of the period that were most highly regarded. Please note that this list, which is by no means complete—or universally agreed on—applies only to pianos made before about 1930, since in many cases the same names were later applied to entirely different, usually lower, quality standards.
During this period, a large percentage of the pianos made were outfitted with pneumatically driven player-piano systems. When these mechanisms eventually fell into disrepair, they were often removed. Although there is still a small group of technicians and hobbyists dedicated to restoring these fascinating relics of the past, in most cases it is not economically practical to do so except for historical or sentimental reasons.
|Some of the well-regarded piano brand names of the 1900-1930 period, in alphabetical order|
Hallet & Davis
Ivers & Pond
Mason & Hamlin
Henry F. Miller
Steinway & Sons
Vose & Sons
SPRING 2010 -- page 53
TABLE OF CONTENTS
Hybrid & Player Pianos
New-Piano Buyers’ Reference