including Cable-Nelson. See separate listing for Disklavier in "Buying an Electronic Player-Piano System."
Yamaha Corporation of America
P.O. Box 6600
Buena Park, California 90622
Pianos made by: Yamaha Corporation, Hamamatsu, Japan and other locations (see text)
Torakusu Yamaha, a watchmaker, developed Japan's first reed organ, and founded Yamaha Reed Organ Manufacturing in 1887. In 1899, Yamaha visited the U.S. to learn how to build pianos. Within a couple of years he began making grand and vertical pianos under the name Nippon Gakki, Ltd. Beginning in the 1930s, Yamaha expanded its operations, first into other musical instruments, then into other products and services, such as sporting goods and furniture, and finally internationally.
Export of pianos to the U.S. began in earnest about 1960. In 1973, Yamaha acquired the Everett Piano Co., in South Haven, Michigan, and made both Yamaha and Everett pianos there until 1986. In that year, the company moved its piano manufacturing to a plant in Thomaston, Georgia, where it made Yamaha consoles, studios, and some grands until 2007, when a depressed piano market and foreign competition forced it to close its doors. Since then, the company has introduced new models, made in other Yamaha factories, to replace those formerly made in Thomaston.
Yamaha is probably the most international of the piano manufacturers. In addition to its factories in Japan, Yamaha has plants in Mexico, China, and Indonesia. Yamaha pianos sold in the U.S. are made in Japan, China, and Indonesia. In 2009, Yamaha closed its factories in England (with Kemble) and Taiwan. Models formerly made in those factories are now being produced in Yamaha's other Asian plants. Yamaha also owns the renowned Austrian piano maker, Bösendorfer.
Yamaha's console line consists of the 43" model b1, in continental style, with a laminated soundboard; and the 44" models M460 and M560 in furniture style (freestanding legs), representing two levels of cabinet sophistication and price. All are internally similar (except for the soundboard) and have a compressed action typical of a console, which means that the action will not be quite as responsive as in larger models.
The studio line consists of the popular 45" model P22 in institutional style (legs with toe blocks) with school-friendly cabinet; the furniture-style version P660; and the 45" model b2, with a less-expensive institutional-style cabinet. The b2 replaces the Chinese-made model T118. All studio models are internally similar, with a full-size action. All Yamaha verticals under 48" tall are now made in the company's Indonesian factory, which has been making pianos for more than 30 years and, according to Yamaha, adheres to the same quality standards as its Japanese plant.
The uprights are the very popular 48" model U1; the 48" model b3, which is made in Indonesia, has the same scale design as the U1, and replaces the Chinese-made model T121SC; and the 52" model U3. The U3 joins the YUS5 (see below) in having a "floating" soundboard — the soundboard is not completely attached to the back at the top, allowing it to vibrate a little more freely to enhance the tonal performance. A new Super U series of uprights (YUS1, YUS3, and YUS5) have different hammers and get additional tuning and voicing at the factory, including voicing by machine to create a more consistent, more mellow tone. The YUS5 has German Röslau music wire instead of Yamaha wire, also for a mellower tone. This top-of-the-line 52" upright also has agraffes, duplex scaling, and a sostenuto pedal (all other Yamaha verticals have a practice/mute pedal). The U- and YU-series uprights are all made in Japan and come with soft-close fallboards.
Yamaha verticals are very well made for mass-produced pianos. The taller uprights in particular are considered a "dream" to service by technicians, and are very much enjoyed by musicians. Sometimes the pianos can sound quite bright, though much less so now than in previous years. The current version of the model P22 school studio is said to have been redesigned to sound less bright and to have a broader spectrum of tonal color. Double-striking of the hammer in the low tenor on a soft or incomplete keystroke is a problem occasionally mentioned in regard to Yamaha verticals by those who play with an especially soft touch. This tendency is a characteristic of the action design, the trade-off being better-than-normal repetition for a vertical piano. If necessary, it's possible that a technician can lessen this problem with careful adjustment, but at the risk of sacrificing some speed of repetition.
Yamaha grands come in several levels of sophistication and size. The Classic Collection consists of the 5' model GB1K, the 5' 3" model GC1M, and the 5' 8" model GC2. The GB1K has simplified case construction and cabinetry, no duplex scale, and the middle pedal operates a bass-sustain mechanism. It does have a soft-close fallboard. It is currently the only Yamaha grand sold in the U.S. that is made in Indonesia. The GC1M and GC2 have regular case construction, duplex scale, soft-close fallboard, and sostenuto pedal.