FALL 2012 — page 32

The Definitive Guide to Buying New, Used, and Restored Pianos

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Cooper Music Most pianos will play loudly quite reliably, but providing good expression when played softly is considerably more challenging. When trying out a piano, be sure to play at a variety of dynamic levels. Test the action with your most technically demanding passages. Don't forget to test the pedals for sensitivity commensurate with your musical needs.

Room acoustics have a tremendous effect on piano tone, so you'll want to note the extent to which the acoustics of the dealer's showroom differ from those of your home, and make allowance for it. Hard surfaces, such as bare walls, tile, and glass will make the tone brighter. Absorbent surfaces—upholstered furniture, heavy drapes, plush carpeting—will make it mellower. Once the piano is in the home, a technician may be able to make adjustments to the tone, but to avoid unpleasant surprises, it's best to buy a piano whose tone is already close to what you want. Adjusting the room acoustics through the strategic use of wall hangings, scatter rugs, and furniture can also help. See the article "How to Make Your Piano Room Sound Grand," elsewhere in this issue.

The Piano Warranty

The majority of pianos never generate a warranty claim. That said, few people would sleep well worrying about potential problems arising in such a major purchase. Key warranty issues are: what is covered, for how long, and who stands behind the warranty. The overwhelming majority of new-piano warranties cover the cost of parts and labor necessary to correct any defect in materials or workmanship. The warrantor (usually the manufacturer or distributor) also generally reserves the right to replace the piano should it choose to in lieu of repair. The warrantee (the customer) generally makes warranty claims to the dealer who, upon approval of the warrantor, makes the necessary repairs or replaces the instrument, as applicable. If the dealer is out of business, or if the customer has moved, warranty claims are made to the new local dealer of that brand, if any, or directly to the warrantor.

Warranties are in effect from the date of purchase and generally run between five and fifteen years, depending on the manufacturer. Note that there is little correlation between the length of warranty and the quality of the piano, as decisions on warranty terms are often made based on marketing factors. For example, a new manufacturer might well offer a longer warranty to help bolster sales.

The Magnuson-Moss Warranty Act mandates that warranties be either full or limited. In the piano industry, the only significant difference is that full warranties remain in effect for the entire stated term, regardless of piano ownership, whereas limited warranties cover only the original purchaser. If you plan on possibly selling or trading up within a few years, a full warranty offers protection to the new owner, increasing the piano's value to them, and may justify a little higher selling price or trade-in value.

The final key issue about piano warranties concerns who stands behind the warranty. In most cases the warranty is backed by the actual manufacturer. This is advantageous, as the manufacturer has a major capital investment in its factory and has probably been in business for many years. The likelihood is that it will be around for the entire five- to fifteen-year period of your warranty. In today's piano market, however, many brands are manufactured under contract for a distributor, and the warranty is backed only by that distributor. Often, the distributor's only investment is a small rented office/warehouse and a few dozen pianos. Pianos are also often made to order for a particular dealership under a private brand name and are sold — and warranted — only by that dealership and/or its affiliates. In those cases, the warranty is further limited by the financial strength of the distributor or dealership, which can be difficult for the shopper to evaluate. In these situations, caution is called for.

 
 

FALL 2012 — page 32

 

 

 
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A Message from the Publisher (p. 1)

The Prodigious Power of Piano Playing (p. 7)

Acoustic or Digital: What’s Best For Me? (p. 11)

FEATURE ARTICLES

Review: Seiler Model 186 (p. 49)

Regulation & Voicing: What Buyers of Performance-Quality Pianos Should Know (p. 67)

One by One: Boutique Piano Builders in the 21st Century (p. 81)

ACOUSTIC PIANOS

Piano Buying Basics (p. 13)

The New-Piano Market Today (p. 35)

A Map of the Market for New Pianos (Ratings) (p. 44)

Buying a Used or Restored Piano (p. 51)

Buying a High-End Piano (p. 75)

Buying Pianos For an Institution (p. 85)

Piano Maintenance in Institutions (p. 91)

How to Make a Piano Room Sound Grand (p. 93)

Caring For Your Piano (p. 99)

Benches, Lamps, Accessories, and Problem Solvers (p. 103)

DIGITAL PIANOS

Buying a Digital Piano (p. 109)

Digital Piano Basics, Part 1: Imitating the Acoustic Piano (p. 116)

Digital Piano Basics, Part 2: Beyond the Acoustic Piano (p. 122)

My Other Piano is a Computer: An Introduction to Software Pianos (p. 132)

HYBRID & PLAYER PIANOS

Hybrid Pianos (p. 134)

Buying an Electronic Player-Piano System (p. 138)

NEW-PIANO BUYERS’ REFERENCE

Acoustic Pianos

Brand & Company Profiles (p. 151)

Digital Pianos

Brand & Company Profiles (p. 255)

Advertiser Index/Photo Credits (p. 280)

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