FALL 2012 — page 174

The Definitive Guide to Buying New, Used, and Restored Pianos

Contact
FAQs/Links
Blogs
Classifieds
Databases
Read Online
Buy Print Edition
Home
 

All Mason & Hamlin grands have certain features in common, including a wide-tail design; a full-perimeter plate; an extremely thick and heavy maple rim; a solid spruce soundboard; a seven-ply, quartersawn maple pinblock; and the patented tension-resonator Crown Retention System. The tension resonator (illustrated in The Piano Book), invented by Richard Gertz in 1900, consists of a series of turnbuckles that connect to specific points on the inner rim. This system of turnbuckles, sometimes called “the spider,” is said to lock the rim in place so that it cannot expand with stress and age, thereby preserving the soundboard crown (curvature). (The soundboard is glued to the inner rim and would collapse if the rim expanded.) While there is no modern-day experimental evidence to confirm or deny this theory, anecdotal evidence and observations by piano technicians tend to validate it because, unlike most older pianos, the soundboards of old Mason & Hamlins almost always have plenty of crown.

In the early part of the 20th century, Wessell, Nickel & Gross was a major supplier of actions to American piano manufacturers, including Mason & Hamlin. Over the years, the name fell into disuse. In 2004 Mason & Hamlin revived the name by registering the trademark, which now refers to the design and specifications of Mason & Hamlin actions. The company manufactures a new line of carbon fiber and nylon-based composite action parts of strikingly innovative design, which the company makes available to its dealers and to rebuilders as a high-performance upgrade to the traditional wood action. The company explained that it has moved to using composite parts because of the inherent shortcomings of wood: it’s prone to breakage under constant pounding, the parts vary in strength and mass from one piece of wood to the next, and wood shrinks and swells with changing temperature and humidity. Composite parts, on the other hand, are more than ten times as strong as wood; are built to microscopic tolerances, so they are virtually identical; and are impervious to weather. According to the company, material scientists predict that in the benign environment of a piano, the minimum life expectancy of composite parts is 100 years. The Wessell, Nickel & Gross composite action is now standard on all new Mason & Hamlin pianos.

Mason & Hamlin grands are available in ebony and several standard and exotic wood finishes, in both satin and high polish. Satin finishes are lacquer, the high-polish finishes are polyester. Most sizes are also available in a stylized case design called Monticello, which has fluted, conical legs, similar to Hepplewhite style, with matching lyre and bench. In 2009 Mason & Hamlin introduced the Chrome art-case design, in polished ebony with chrome and stainless-steel case hardware replacing the traditional brass hardware. This design also has art-deco case styling, a silver plate, and a new fallboard logo in a modern font. This modern-font logo, along with a new slow-close fallboard, is standard on all new Mason & Hamlin grands.

The tone of Mason & Hamlin pianos is typically American — lush, singing, and powerful, not unlike the Steinway in basic character, but with an even more powerful bass and a clearer treble. The designers have done a good job of making a recognizable Mason & Hamlin sound that is consistent throughout the model line. The 5' 8" model A has a particularly powerful bass for a piano of its size. The treble, notably weak in prior versions, has been beefed up, but the bass is still the showpiece of the piano. The new 5' 4" model B also has a large-sounding bass for its size. The "growling" power of the Mason & Hamlin bass is most apparent in the 7' model BB. The 6' 4" model AA is a little better balanced between bass and treble, one reason why it is a favorite of mine.

The basic musical design of Mason & Hamlin pianos is very good, as is most of the workmanship. As with other American-made pianos, musical and cabinet detailing, such as factory voicing and regulation and plate and cabinet cosmetics, are reasonable but lag somewhat behind the company's European competitors in finesse. The company says it is standard procedure for final voicing and regulation to be finished off by thorough and competent dealer prep.

In recent years many companies have turned to China and other international sources for parts and materials, for several reasons: a domestic source is no longer available, to save money, to increase the security of supply, and, in some cases, to increase quality. Among makers of high-end pianos, Mason & Hamlin has been pioneering in this regard, though it is not the only company to do so. The company's worldwide sourcing of parts and materials, along with its investment in modernized equipment, has made the Mason & Hamlin a better instrument while keeping the piano's price at a reasonable level. It's a very good value among high-end instruments.

Warranty: 5 years, parts and labor, transferable to future owners within the warranty period.

 

FALL 2012 — page 174

 

Sign Up for our Mailing List
and Receive:

  • Announcement of new issues of Piano Buyer
  • Announcement of new features on our Website
  • Buying tips and news related to your expressed areas of interest
SIGN UP NOW!



 
  • Ordering Info
  • The Piano Book
  • Book FAQs
  • HTML Edition
  • Archive
  • Classified Ads
  • Local Services
  • Larry’s Blog
  • Piano-Buying Stories
  • Articles
  • Link Exchange
  • FAQs
  • Press Releases
  • About Us
  • Staff/Contributors
  • Contact Us
  • Acoustic Pianos
  • Digital Pianos

A Message from the Publisher (p. 1)

The Prodigious Power of Piano Playing (p. 7)

Acoustic or Digital: What’s Best For Me? (p. 11)

FEATURE ARTICLES

Review: Seiler Model 186 (p. 49)

Regulation & Voicing: What Buyers of Performance-Quality Pianos Should Know (p. 67)

One by One: Boutique Piano Builders in the 21st Century (p. 81)

ACOUSTIC PIANOS

Piano Buying Basics (p. 13)

The New-Piano Market Today (p. 35)

A Map of the Market for New Pianos (Ratings) (p. 44)

Buying a Used or Restored Piano (p. 51)

Buying a High-End Piano (p. 75)

Buying Pianos For an Institution (p. 85)

Piano Maintenance in Institutions (p. 91)

How to Make a Piano Room Sound Grand (p. 93)

Caring For Your Piano (p. 99)

Benches, Lamps, Accessories, and Problem Solvers (p. 103)

DIGITAL PIANOS

Buying a Digital Piano (p. 109)

Digital Piano Basics, Part 1: Imitating the Acoustic Piano (p. 116)

Digital Piano Basics, Part 2: Beyond the Acoustic Piano (p. 122)

My Other Piano is a Computer: An Introduction to Software Pianos (p. 132)

HYBRID & PLAYER PIANOS

Hybrid Pianos (p. 134)

Buying an Electronic Player-Piano System (p. 138)

NEW-PIANO BUYERS’ REFERENCE

Acoustic Pianos

Brand & Company Profiles (p. 151)

Digital Pianos

Brand & Company Profiles (p. 255)

Advertiser Index/Photo Credits (p. 280)

  • Buy Print Edition:
  • Piano Buyer
  • The Piano Book
  • Book FAQs
  • Read Online:
  • HTML Edition
  • Archive
  • Classifieds
  • Local Services
  • Tuners/Technicians
  • Rebuilders
  • Dealers
  • Teachers
  • Movers
  • Advertiser Info
  • Place an Ad
  • Links
  • FAQs
  • Press Releases
  • Advertising:
  • General Info
  • Why Advertise with Us
  • Advertiser links

Acoustic & Digital Piano Buyer is published by:

Brookside Press LLC

P.O. Box 4916, Palm Springs, CA 92263 USA

Copyright 2013 Brookside Press LLC.

All rights reserved.

  • Home
  • Databases:
  • Acoustic Database
  • Digital Database
  • Larry’s Blog
  • Piano-Buying Stories
  • Articles
  • Contact Us
  • About Us
  • Staff/Contributors
  • Privacy Policy
  • Terms of Use
  • Sitemap