FALL 2012 — page 173

The Definitive Guide to Buying New, Used, and Restored Pianos

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The Baltimore series offers a more modestly priced alternative to the institutional Academy series or upper-end Concert Artist series. This line features an all-spruce “surface tension” (veneered) soundboard. The grands provide a full sostenuto pedal, slow-close fallboard, fully adjustable music desk and rack, multiple finishes in both satin ebony and wood tones, and, recently, a new designer grand with accents of Bubinga or African Pommele. The verticals showcase a wide range of sizes and cabinet styles, including wood tones in French cherry, traditional mahogany, and Renaissance walnut.

Warranty: 10 years, parts and labor, transferable to future owners within the warranty period.

KOHLER & CAMPBELL — See Samick.

MAMMOTH

Mammoth Piano Co.
Friendsville, Tennessee
415-440-1709
mammothpiano@gmail.net
www.mammothpiano.com

Reminiscent of some piano designs attempted 200 years ago, the Mammoth is one of the most unusual pianos being built today. Dubbed a Vertical Concert Grand, Mammoth’s model VCG stands 7' 2" tall, weighs 1,200 pounds, and has the scale design and sound of a 9' concert grand.

The piano’s immense structure includes six laminated wooden back posts and a welded steel frame, yet despite its bulk, the instrument appears quite attractive in its custom-made cabinet of Brazilian cherry. The soundboard and ribs are of Sitka spruce. The action, invented specifically for this piano, appears superficially to be like that of a vertical, but actually contains the double-escapement feature of a grand piano action.

Inventor-builder Chris Chernobieff got his start assembling dulcimer and harpsichord kits, and branched out into piano service and rebuilding about 15 years ago. Inspired by other technicians who built their own pianos, Chernobieff asked, “Why not me?” Having spent the last several years designing and building the Mammoth, he now has plans for a 6' vertical and some innovative grand models.

Mammoth model VCG retails for $98,000.

MASON & HAMLIN

Mason & Hamlin Piano Company
4111 North Freeway Blvd.
Sacramento, California 95834
800-566-3472
916-567-9999
www.masonhamlin.com

Pianos made by: Mason & Hamlin Piano Co., Haverhill, Massachusetts and Sacramento, California

Mason & Hamlin was founded in 1854 by Henry Mason and Emmons Hamlin. Mason was a musician and businessman and Hamlin was an inventor working with reed organs. Within a few years, Mason & Hamlin was one of the largest makers of reed organs in the U.S. The company began making pianos in 1881 in Boston, and soon became, along with Chickering, among the most prestigious of the Boston piano makers. By 1910, Mason & Hamlin was considered Steinway’s chief competitor. Over the next 85 years, Mason & Hamlin changed hands many times. (You can read the somewhat lengthy and interesting history in The Piano Book.) In 1996 the Burgett brothers, owners of PianoDisc, purchased Mason & Hamlin out of bankruptcy and set about reestablishing manufacturing at the six-story factory in Haverhill, Massachusetts. The company emphasizes limited-quantity, handbuilt production, and currently manufactures from 200 to 350 pianos per year. Daily tours are offered to visitors.

Since acquiring the company, the Burgetts have brought back most of the piano models from the company’s golden Boston era (1881–1932) that originally made the company famous. Refinements have been made to the original scale designs and other core design features. First came the 5' 8" model A and 7' model BB, both of which had been manufactured by the previous owner. Then, in fairly rapid succession, came the 6' 4" model AA, the 9' 4" model CC concert grand, and the 5' 4" model B. The development of these three models was an especially interesting and costly project: in the process, the engineering staff resurrected the original design of each model, constructed new rim presses, standardized certain features, refined manufacturing processes, and modernized jigs, fixtures, templates, and machinery, improvements that afterward were applied to the company’s other models. The 50" model 50 vertical piano has also been reintroduced and redesigned, with longer keys for a more grand-like touch, and improved pedal leverage. Internal parts for the verticals are made in Haverhill, then assembled in the company’s Sacramento factory, where it also installs PianoDisc systems.

 

FALL 2012 — page 173

 

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FEATURE ARTICLES

Review: Seiler Model 186 (p. 49)

Regulation & Voicing: What Buyers of Performance-Quality Pianos Should Know (p. 67)

One by One: Boutique Piano Builders in the 21st Century (p. 81)

ACOUSTIC PIANOS

Piano Buying Basics (p. 13)

The New-Piano Market Today (p. 35)

A Map of the Market for New Pianos (Ratings) (p. 44)

Buying a Used or Restored Piano (p. 51)

Buying a High-End Piano (p. 75)

Buying Pianos For an Institution (p. 85)

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How to Make a Piano Room Sound Grand (p. 93)

Caring For Your Piano (p. 99)

Benches, Lamps, Accessories, and Problem Solvers (p. 103)

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Buying a Digital Piano (p. 109)

Digital Piano Basics, Part 1: Imitating the Acoustic Piano (p. 116)

Digital Piano Basics, Part 2: Beyond the Acoustic Piano (p. 122)

My Other Piano is a Computer: An Introduction to Software Pianos (p. 132)

HYBRID & PLAYER PIANOS

Hybrid Pianos (p. 134)

Buying an Electronic Player-Piano System (p. 138)

NEW-PIANO BUYERS’ REFERENCE

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Brand & Company Profiles (p. 151)

Digital Pianos

Brand & Company Profiles (p. 255)

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