FALL 2012 — page 148

The Definitive Guide to Buying New, Used, and Restored Pianos

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SilentPNO consists of the PNOscan record strip, a piano sound module, and a stop rail for muting the acoustic piano. By muting the piano and turning on the sound card, the pianist can play in privacy with headphones. See the article on “Hybrid Pianos” for more information.

Upgrades from existing Pianomation systems to PNOmation II require replacing the Pianomation processor, and installing a WiFi adapter and a port extender — altogether, about a two-hour operation. PNOmation II can also be added to competitors’ systems, allowing them to have PNOmation-type capabilities and music.

YAMAHA DISKLAVIER

Yamaha Corporation of America
P.O. Box 6600
Buena Park, California 90622
714-522-9011
800-854-1569
infostation@yamaha.com
www.yamaha.com

Disklaviers are Yamaha pianos that have been outfitted with an electronic player-piano system. These mechanisms are installed only in new Yamahas, and only at the Yamaha factory. They cannot be retrofitted into older Yamahas or any other brand.

Disklavier differs from most aftermarket systems in that Disklavier is not modular. Whatever Disklavier features come with a particular model of piano is what you get (although software upgrades are possible). The sophistication of the key, hammer, and pedal sensing also varies, depending on which Disklavier (E3 or Mark IV) is associated with that particular piano model.

Some of the highlights of the Mark IV Disklavier include:

  • 80 Gigabyte hard drive capable of holding all Disklavier software ever written (and then some)
  • CD drive
  • floppy drive
  • pocket remote control to communicate wirelessly with the Disklavier
  • built-in Ethernet for connecting to your network and downloading MIDI files
  • grayscale (continuous) hammershank sensors (on 6'' 1" and larger models) for more sensitive recording capabilities
  • XG tone generator with hundreds of synthesized and sampled sounds
  • dedicated digital piano sound chip
  • Articulation Element Modeling (AEM) voices for greater realism in orchestrated backgrounds
  • built-in speaker system
  • karaoke capability
  • 16-track recording capabilities
  • Silent Mode: silences the acoustic piano for listening through headphones
  • Quiet Mode: silences the acoustic piano and directs the sound to speakers
  • Quick Escape Action: maintains correct action regulation when using Silent Mode or Quiet Mode
  • headphones
  • SmartKey: a teaching device
  • CueTime: a smart accompaniment feature
  • PianoSmart Audio Synchronization: the ability to link a piano track in MIDI format with selected popular CDs on the general market for synchronized playback
  • PianoSmart Video Synchronization: videotape a piano performance and the Disklavier will play the performance back perfectly on the piano whenever you play back the video of the performance
  • Disklavier Radio: a group of streaming MIDI music stations, available on a subscription basis

The Version 3.0 operating system for the Mark IV includes the ability to make audio recordings of the piano and anything coming into the mic input, and enables control of the Mark IV via a PC or Macintosh computer through the use of a Web browser.

The current Mark IV Version 4.0 operating system provides Disklavier owners with the ability to control their system with an iPhone or iPod Touch, and the potential to take part in the new Remote Lesson feature (piano-to-piano connection via the Internet), described later in this article. Yamaha has also, for the first time, released its code to software developers so they can develop third-party Disklavier controllers.

The performance level of the standard Mark IV Disklavier is the same as formerly found in the Mark III PRO series. The Mark IV PRO provides the highest level of performance in the Disklavier line. The PRO series has a much higher internal recording resolution and a greater dynamic range in playback.

 
 

FALL 2012 — page 148

 

 

 
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A Message from the Publisher (p. 1)

The Prodigious Power of Piano Playing (p. 7)

Acoustic or Digital: What’s Best For Me? (p. 11)

FEATURE ARTICLES

Review: Seiler Model 186 (p. 49)

Regulation & Voicing: What Buyers of Performance-Quality Pianos Should Know (p. 67)

One by One: Boutique Piano Builders in the 21st Century (p. 81)

ACOUSTIC PIANOS

Piano Buying Basics (p. 13)

The New-Piano Market Today (p. 35)

A Map of the Market for New Pianos (Ratings) (p. 44)

Buying a Used or Restored Piano (p. 51)

Buying a High-End Piano (p. 75)

Buying Pianos For an Institution (p. 85)

Piano Maintenance in Institutions (p. 91)

How to Make a Piano Room Sound Grand (p. 93)

Caring For Your Piano (p. 99)

Benches, Lamps, Accessories, and Problem Solvers (p. 103)

DIGITAL PIANOS

Buying a Digital Piano (p. 109)

Digital Piano Basics, Part 1: Imitating the Acoustic Piano (p. 116)

Digital Piano Basics, Part 2: Beyond the Acoustic Piano (p. 122)

My Other Piano is a Computer: An Introduction to Software Pianos (p. 132)

HYBRID & PLAYER PIANOS

Hybrid Pianos (p. 134)

Buying an Electronic Player-Piano System (p. 138)

NEW-PIANO BUYERS’ REFERENCE

Acoustic Pianos

Brand & Company Profiles (p. 151)

Digital Pianos

Brand & Company Profiles (p. 255)

Advertiser Index/Photo Credits (p. 280)

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