FALL 2012 — page 104

The Definitive Guide to Buying New, Used, and Restored Pianos

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House of TroyLegs for both fixed-height and traditional adjustable benches are attached by a single bolt at the top of each leg. These bolts should be tightened anytime there is wobble in the bench. Don't over-tighten, however, as that might pull the bolt out of the leg.

Finally, if the piano you want doesn't come with the bench you desire, talk to your dealer. It's common for dealers to swap benches or bench tops to accommodate your preference, or to offer an upgrade to a better bench in lieu of a discount on the piano.

Lamps

Having adequate lighting for the piano music is critical. It's hard enough to learn how to read music without having to deal with a lack of illumination, or with shadows on the sheet music. The ideal solution is track lighting in the ceiling just above the player. In many homes and institutions, however, this is not feasible. In those instances, a piano lamp may well be the answer.

Piano lamps fall into two major groups: floor lamps and desk lamps. Floor lamps arch over the piano and hover over the music rack, while desk lamps sit directly on the piano or are attached to the music rack itself. Desk lamps are subdivided into three groups: a standard desk lamp that sits atop a vertical piano directly over the music rack; a "balance-arm" lamp that sits off to the side on a grand piano's music desk and has a long arm that hovers over the music rack; and a clip-on lamp that attaches directly to the music rack itself (see illustrations).

Piano lamps come in a variety of qualities, sizes, styles, finishes, and bulb types. The better ones are usually made of high-quality brass, while the least expensive are often made of very thin brass or are simply brass-plated. The light from incandescent-bulb lamps tends to be a tad harsh, but the bulbs are less expensive than those for fluorescent lamps, which, though pricier, emit a softer light.

Piano lamps are available through most piano dealerships as well as at lighting stores. A limited selection can also be found at The Home Depot and Lowe's.

 
 

FALL 2012 — page 104

 

 

 
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A Message from the Publisher (p. 1)

The Prodigious Power of Piano Playing (p. 7)

Acoustic or Digital: What’s Best For Me? (p. 11)

FEATURE ARTICLES

Review: Seiler Model 186 (p. 49)

Regulation & Voicing: What Buyers of Performance-Quality Pianos Should Know (p. 67)

One by One: Boutique Piano Builders in the 21st Century (p. 81)

ACOUSTIC PIANOS

Piano Buying Basics (p. 13)

The New-Piano Market Today (p. 35)

A Map of the Market for New Pianos (Ratings) (p. 44)

Buying a Used or Restored Piano (p. 51)

Buying a High-End Piano (p. 75)

Buying Pianos For an Institution (p. 85)

Piano Maintenance in Institutions (p. 91)

How to Make a Piano Room Sound Grand (p. 93)

Caring For Your Piano (p. 99)

Benches, Lamps, Accessories, and Problem Solvers (p. 103)

DIGITAL PIANOS

Buying a Digital Piano (p. 109)

Digital Piano Basics, Part 1: Imitating the Acoustic Piano (p. 116)

Digital Piano Basics, Part 2: Beyond the Acoustic Piano (p. 122)

My Other Piano is a Computer: An Introduction to Software Pianos (p. 132)

HYBRID & PLAYER PIANOS

Hybrid Pianos (p. 134)

Buying an Electronic Player-Piano System (p. 138)

NEW-PIANO BUYERS’ REFERENCE

Acoustic Pianos

Brand & Company Profiles (p. 151)

Digital Pianos

Brand & Company Profiles (p. 255)

Advertiser Index/Photo Credits (p. 280)

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