The Definitive Guide to
Buying New, Used,
and Restored Pianos

FALL 2011 — page 76

Allegro Pianos

Such conversations are not rare. Some people feel they won't be able to hear the differences between pianos, or that a high-end piano will be wasted on them. Others try to accommodate only what they perceive their needs to be at the time of purchase, rather than over the many years they may end up owning a piano.

Often, piano buyers form an idea of what they want and how much to spend, and consider only a few brands, without ever sufficiently researching the differences in manufacturers' philosophies and how these might affect the tone, touch, musicality, and price of the instrument. However, such information can help the consumer clarify his or her true needs and preferences. Many shopping for a piano all but ignore higher-end models, considering them beyond their needs or means. But for more than a few of these buyers, a better-quality piano may prove the better fit and value.

There are significant differences in manufacturing methods between performance-oriented instruments, which are often referred to as "handmade," and mass-produced instruments, in which some musical qualities are sacrificed to meet a lower retail price.

Performance-oriented manufacturers, especially at the highest level, are looking to capture a wide range of tonal characteristics. Some of these qualities, such as sustain, tonal variation, and dynamic range, are universally accepted as helping the playing of pianists of all levels sound more musical. All makers of high-end pianos strive to make pianos that excel in these areas. Other tonal characteristics, however, such as tonal color—the specific harmonic structure of the tone--can reflect a particular manufacturer's philosophy of what the best piano should sound like, and are the elements that separate one high-end make from another. A piano maker's decision to emphasize certain musical qualities over others is manifested through differences in the instrument's design, in the instrument's resulting tone and touch, and in its appeal to a particular player or listener.

"Would you like to hear some higher-end instruments as well, just to compare?" I asked the couple.

"Yes, please," replied the woman

And so we went on a tour of Piano Land, playing, listening to, and assessing the tone of a variety of instruments. "Ooohhh," said the wife in response to one particular make. "Aaahhh," sighed her husband, as the realization struck him: He actually could hear the differences between these pianos; not only that, he had some rather clear preferences.

"But which is the best piano?" he asked. There are quite a few instruments here, all so beautiful, but so different from each other. Which is the best?

This is a question customers ask me again and again when visiting our showroom--we represent most of the high-end makers, and side-by-side comparisons are always possible. And while, time after time, our customers do find the absolute "best," for each of those customers the "best" is represented by a different make, according to his or her preferences. The combination of musical qualities emphasized by one piano maker may speak to one customer while leaving another indifferent--who, in turn responds enthusiastically to an instrument made by another manufacturer that has left the first customer cold. Some people prefer a bold, outgoing, and powerful sound; others want a more delicate, clear, and melodic tone. Some like focused, defined, and pure tonal characteristics, while others look for instruments whose sound is more robust, deep, and dark.

FALL 2011 — page 76

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PIANO BUYER HOME

A Message from the Publisher (p. 1)

The Prodigious Power of Piano Playing (p. 7)

Acoustic or Digital: What's Best For Me? (p. 11)

FEATURE ARTICLES

Review: The Best Chinese Professional-Size Grands (p. 49)

Nontraditional Materials and the Piano (p. 68)

Selecting a Performance Piano For Concert Hall or Home (p. 81)

ACOUSTIC PIANOS

Piano Buying Basics (p. 13)

The New-Piano Market Today (p. 35)

A Map of the Market for New Pianos (Ratings) (p. 44)

Buying a Used or Restored Piano (p. 53)

Buying a High-End Piano (p. 75)

Buying Pianos For an Institution (p. 87)

Piano Maintenance in Institutions (p. 93)

How to Make a Piano Room Sound Grand (p. 95)

Caring For Your Piano (p. 100)

Benches, Lamps, Accessories, and Problem Solvers (p. 105)

DIGITAL PIANOS

Buying a Digital Piano (p. 111)

Digital Piano Basics, Part 1: Imitating the Acoustic Piano (p. 118)

Digital Piano Basics, Part 2: Beyond the Acoustic Piano (p. 124)

My Other Piano is a Computer: An Introduction to Software Pianos (p. 134)

HYBRID & PLAYER PIANOS

Hybrid Pianos (p. 136)

Buying an Electronic Player-Piano System (p. 140)

NEW-PIANO BUYERS' REFERENCE

Acoustic Pianos

Brand & Company Profiles (p. 152)

Digital Pianos

Brand & Company Profiles (p. 255)

Advertiser Index/Photo Credits (p. 280)