The Definitive Guide to
Buying New, Used,
and Restored Pianos

FALL 2011 — page 173

KOHLER & CAMPBELL — See Samick.

MAMMOTH

Mammoth Piano Co.
Monroe, Washington
877-957-4266
mammothpiano@comcast.net
www.mammothpiano.com

Reminiscent of some piano designs attempted 200 years ago, the Mammoth is one of the most unusual pianos being built today. Dubbed a Vertical Concert Grand, Mammoth's model VCG stands 7' 2" tall, weighs 1,200 pounds, and has the scale design and sound of a 9' concert grand.

The piano's immense structure includes six laminated wooden back posts and a welded steel frame, yet despite its bulk, the instrument appears quite attractive in its custom-made cabinet of Brazilian cherry. The soundboard and ribs are of Sitka spruce. The action, invented specifically for this piano, appears superficially to be like that of a vertical, but actually contains the double-escapement feature of a grand piano action.

Inventor-builder Chris Chernobieff got his start assembling dulcimer and harpsichord kits, and branched out into piano service and rebuilding about 15 years ago. Inspired by other technicians who built their own pianos, Chernobieff asked, "Why not me?" Having spent the last several years designing and building the Mammoth, he now has plans for a 6' vertical and some innovative grand models.

Mammoth model VCG retails for $98,000.

MASON & HAMLIN

Mason & Hamlin Piano Company
4111 North Freeway Blvd.
Sacramento, California 95834
800-566-3472
916-567-9999
www.masonhamlin.com

Pianos made by: Mason & Hamlin Piano Co., Haverhill, Massachusetts and Sacramento, California

Mason & Hamlin was founded in 1854 by Henry Mason and Emmons Hamlin. Mason was a musician and businessman and Hamlin was an inventor working with reed organs. Within a few years, Mason & Hamlin was one of the largest makers of reed organs in the U.S. The company began making pianos in 1881 in Boston, and soon became, along with Chickering, among the most prestigious of the Boston piano makers. By 1910, Mason & Hamlin was considered Steinway's chief competitor. Over the next 85 years, Mason & Hamlin changed hands many times. (You can read the somewhat lengthy and interesting history in The Piano Book.) In 1996 the Burgett brothers, owners of PianoDisc, purchased Mason & Hamlin out of bankruptcy and set about reestablishing manufacturing at the factory in Haverhill, Massachusetts. At present, the company manufactures about 350 pianos per year at this factory.

Since acquiring the company, the Burgetts have brought back most of the piano models from the company's Boston era (1881–1932) that originally made the company famous. Some have been refinements of original designs, others have been completely new. First came the 5' 8" model A and 7' model BB, both of which had been manufactured by the previous owner and so needed less work to resurrect. Then, in fairly rapid succession, came the 6' 4" model AA, the 9' 4" model CC concert grand, and the 5' 4" model B. The development of the model AA was an especially interesting project: in the process, the engineering staff standardized certain features, refined manufacturing processes, and modernized jigs and machinery, improvements that afterward were applied to the company's other models. The 50" model 50 vertical piano has also been reintroduced and redesigned, with longer keys for a more grand-like touch, and improved pedal leverage. Internal parts for the verticals are made in Haverhill, then installed in an imported cabinet in the company's Sacramento factory, where it also installs PianoDisc systems.

FALL 2011 — page 173

 

 

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PIANO BUYER HOME

A Message from the Publisher (p. 1)

The Prodigious Power of Piano Playing (p. 7)

Acoustic or Digital: What's Best For Me? (p. 11)

FEATURE ARTICLES

Review: The Best Chinese Professional-Size Grands (p. 49)

Nontraditional Materials and the Piano (p. 68)

Selecting a Performance Piano For Concert Hall or Home (p. 81)

ACOUSTIC PIANOS

Piano Buying Basics (p. 13)

The New-Piano Market Today (p. 35)

A Map of the Market for New Pianos (Ratings) (p. 44)

Buying a Used or Restored Piano (p. 53)

Buying a High-End Piano (p. 75)

Buying Pianos For an Institution (p. 87)

Piano Maintenance in Institutions (p. 93)

How to Make a Piano Room Sound Grand (p. 95)

Caring For Your Piano (p. 100)

Benches, Lamps, Accessories, and Problem Solvers (p. 105)

DIGITAL PIANOS

Buying a Digital Piano (p. 111)

Digital Piano Basics, Part 1: Imitating the Acoustic Piano (p. 118)

Digital Piano Basics, Part 2: Beyond the Acoustic Piano (p. 124)

My Other Piano is a Computer: An Introduction to Software Pianos (p. 134)

HYBRID & PLAYER PIANOS

Hybrid Pianos (p. 136)

Buying an Electronic Player-Piano System (p. 140)

NEW-PIANO BUYERS' REFERENCE

Acoustic Pianos

Brand & Company Profiles (p. 152)

Digital Pianos

Brand & Company Profiles (p. 255)

Advertiser Index/Photo Credits (p. 280)