The 5' 1" model S is very good for a small grand, but has the usual limitations of any small piano and so is recommended only where space considerations are paramount. The 5' 7" model M is a full six inches longer, but costs little more than the S. Historically one of Steinway's more popular models, it is found in living rooms across the country. Its medium size makes the tone in certain areas slightly less than perfect, but it's an excellent home instrument.
The 5' 10 1/2" model L has been replaced with the model O of the same size. Model O was first produced in 1902, but discontinued in 1924 in favor of the model L. Changes over time in both engineering and musical taste, as well as a desire to better synchronize the offerings of the New York factory with Hamburg (where the model O was never abandoned), seemed to dictate a return to the O. The main difference between the two models is in the shape of the tail — the L has a squared-off tail, the O a round tail — but this can also affect the soundboard and bridges and therefore the tone.
Reintroduction of the model O followed by one year the reintroduction of the legendary 6' 2" model A. First offered in 1878 and discontinued in New York in 1945, the model A revolutionized piano making by featuring, for the first time, the radial rim bracing and one-piece bent rim construction now used in all Steinway grands. Over the years the model A has gone through several makeovers, each of slightly different size and scaling. The version being reintroduced was made in New York from 1896 to 1914 and is the same size as the model A that has been made at the Hamburg factory for more than a century. Models O and A are suitable for larger living rooms, and for many school and teaching situations.
The 6' 10 1/2" model B is the favorite of many piano technicians. It is the best choice for the serious pianist, recording or teaching studio, or small recital hall. Small design changes and other refinements to this model in recent years have brought a steady stream of accolades. The 8' 11 3/4" model D, the concert grand, is the flagship of the Steinway line and the piano of choice for the overwhelming majority of concert pianists. It's too large for most places other than the concert stage.
Steinway uses excellent materials and construction techniques in the manufacture of its grands. The rims, both inner and outer, are made in one continuous bend from layers of maple, and the beams are of solid spruce. The keybed is of quartersawn spruce planks freely mortised together, and the keys are of Bavarian spruce. The pinblock consists of seven laminations of maple with successive grain orientations of 45 and 90 degrees. The soundboard is of solid Sitka spruce, the bridges are vertically laminated of maple with a solid maple cap, and all models have duplex scaling.
It is well known that Steinway's principal competition comes from used and rebuilt Steinways, many of which come in exotic veneers or have elaborately carved or customized "art cases." The company has responded by expanding its product line to include modern-day versions of these collector's items. The Crown Jewel Collection consists of the regular models in natural (non-ebonized) wood veneers, many of them exotic. They are finished in a semigloss finish Steinway calls Satin Lustre. Limited Edition models, issued at irregular intervals, are reproductions of turn-of-the-century designs, available only in models O and B. The newest Limited Edition model is one honoring Henry Z. Steinway who, until his death in 2008, was the oldest living member of the Steinway family. This model has Victorian-style legs and lyre, an intricately carved music desk and period cabinet detailing, and is available in ebony with chrome-plated hardware, or East Indian rosewood.
During the early 1900s, ownership of art-case Steinways became a symbol of wealth and culture. Steinway has resumed this tradition by regularly commissioning noted furniture designers to create new art-case designs, usually around a theme. For example, in 1999 Frank Pollaro designed an art case called Rhapsody to commemorate the 100th anniversary of the birth of George Gershwin. The piano featured a blue-dyed maple veneer adorned with more than 400 hand-cut mother-of-pearl stars and a gilded silver plate. Each year sees new art-case pianos from Steinway, and they are truly stunning. Steinway's Legendary Collection consists of occasional one-of-a-kind reproductions of historical art-case pianos.
As another way of capitalizing on the popularity of older Steinways, the company also operates at its factory the world's largest piano rebuilding facility for the restoration of older Steinways. The Piano Book contains a great deal of additional information on the purchase of older or restored Steinways. See also "Buying a Used or Restored Piano" in this publication.
The underlying excellence of the Steinway musical designs and the integrity of the construction process are the hallmarks of the Steinway piano. Steinway pianos at their best have the quintessential American piano sound: a powerful bass, a resonant midrange, and a singing treble with plenty of tonal color. Although other brands have some of these characteristics, it is perhaps the particular combination of harmonics that comprise the Steinway's tonal coloration that, more than anything else, distinguishes it from other brands and gives it its richness, depth, and power. The construction process creates a very durable and rigid framework that also contributes to the power of its sound.