SINCE THE PIANO'S INVENTION by Bartolomeo Cristofori in 1700, its evolution has been driven by the desire to meet the changing musical needs of the times, by advances in technology, and by the business and marketing requirements of the piano manufacturers. High-end pianos exemplify this evolutionary process.
Early pianos were limited by the technology of the day to a lightweight structure, and a design that produced a tone--bright and intimate, but with short sustain and low volume--that evolved from the sound of the harpsichord. This complemented both the musical styles favored by the Classical period, especially chamber music, and the smaller, more intimate venues in which music was then customarily performed. As technology advanced, it became possible--using cast-iron plates, stronger strings, and higher-tension scale designs--to produce more robust instruments capable of filling a large hall with sound. This suited the composer-virtuosos of the Romantic period, such as Liszt and Brahms, whose works for the piano demanded from the instrument greater power, and the ability to be heard above the larger orchestras of the day. However, this louder, more overtone-filled sound could also conflict with and overpower other chamber instruments and their performance settings.
The great American pianos, having come of age during the Romantic era, tend toward the Romantic tonal tradition. The great European piano makers, however, embedded in a culture steeped in centuries of musical tradition, have long had to satisfy the conflicting tonal styles of different ages, and this has resulted in a wide variety of instruments with different musical qualities. As the American market for European pianos grows, the European companies are further having to reconcile remaining true to their own traditions with evolving to please the American ear. While all brands make full use of technological advances and are capable of satisfying diverse musical needs, some tend toward a more pristine tone, with plush but low-volume harmonics, perfect for chamber music or solo performances in small rooms; others are bright and powerful enough to hold their own above the largest symphony orchestras; and many are in between.
The good news is that the best way to find the right piano for you is to play as many as you can--a simply wonderful experience!
What follow are a story with a valuable perspective from a well-respected dealer of performance-quality instruments, and further observations on these extraordinary instruments by dealers who sell them.
The Best Piano: A Story
FALL 2009 -- page 65
TABLE OF CONTENTS
Hybrid & Player Pianos
New-Piano Buyers’ Reference