Which of these routes to finding a used piano you end up following will depend on your situation and what you're looking for. If you have a lot of time and transportation is no problem, you may get the best deal by shopping around among private owners or in out-of-the-way places. If you're busy or without a car but have money to spend, it may be more convenient to shop among piano technicians, rebuilders, or dealers, who may be able to show you several pianos at the same time and spare you from worrying about future repair costs and problems. If you travel a lot to other cities or have few piano resources in your local area, the Internet can be a big help in locating an appropriate commercial or non-commercial source far away. (See the ads in this publication for movers that specialize in long-distance piano moving.) The best route also depends on where you live, as some communities may have a brisk trade in used pianos among private owners but few rebuilding shops, or vice versa, or have an abundance of old uprights but few grands.
Grand Piano Rebuilding Checklist
The following is a list of the tasks that might comprise a fairly complete rebuilding of a grand piano. Any particular job may be either more or less extensive than shown here, depending on the needs and value of the instrument and other factors, but this list can serve as a guide. See also The Piano Book for information about specific rebuilding issues pertaining to Steinway and Mason & Hamlin pianos.
Notice that the restoration can be divided into three main parts: the soundbox or resonating unit, the action, and the cabinet. The soundbox (also known as the strung back or belly) includes the soundboard, ribs, bridges, strings, pinblock, tuning pins, plate, and the structural parts of the case; the action includes the keyframe and action frame, keys and keytops, hammers, dampers, trapwork, and all other moving action parts; the cabinet includes cosmetic repair and refinishing of the case and of the nonstructural cabinet parts and hardware. Note that the damper parts that contact the strings are restored with the soundbox, whereas the damper underlever action is treated with the rest of the action.
There is very little overlap among the three types of work; each of the three parts could be performed alone or at different times, as technical conditions permit and/or financial considerations require. In a typical complete rebuilding job, restoration of the soundbox might comprise 45 percent of the cost, the action 30 percent, and the cabinet 25 percent, though these percentages will vary according to the particulars of the job.
Soundbox or resonating unit
Three terms are often used in discussions of piano restoration work: repair, reconditioning, and rebuilding. There are no precise definitions of these terms, and any particular job may contain elements of more than one of them. It's therefore very important, when having restoration work done on your piano or when buying a piano on which such work has been done, to find out exactly what jobs have been, or will be, carried out. "This piano has been reconditioned" or "I'll rebuild this piano" are not sufficient answers. One technician's rebuilding may be another's reconditioning.
FALL 2009 -- page 53
TABLE OF CONTENTS
Hybrid & Player Pianos
New-Piano Buyers’ Reference