Pianos made by: Kawai Musical Instrument Mfg. Co., Ltd., Hamamatsu, Japan and Karawan, Indonesia
In 1992 Steinway launched its Boston line of pianos, designed by Steinway & Sons and built by Kawai. Steinway's stated purpose in creating this line was to supply Steinway dealers with a quality, mid-priced piano containing some Steinway-like design features for those customers "who were not yet ready for a Steinway." In choosing to have a piano of its own design made in Japan, Steinway sought to take advantage of the efficient high-technology manufacturing methods of the Japanese while utilizing its own design skills to make a more musical piano than is usually available from that part of the world. Sold only through select Steinway dealers, Boston pianos are currently available in three sizes of vertical and five sizes of grand. All are made in Japan, except the model 118S, which is made in Kawai's Indonesian factory.
Boston pianos are used by a number of prestigious music schools and festivals, including Aspen, Bowdoin, Brevard, Ravinia, and Tanglewood.
The most obvious visible feature of the Boston grand piano's design (and one of the biggest differences from Kawai pianos), is its wide tail. Steinway says this allows the bridges to be positioned closer to the more lively central part of the soundboard, smoothing out the break between bass and treble. This, plus a thinner, tapered soundboard and other scaling differences, may give the Boston grands a longer sustain though less initial power. The wide-tail design may also endow some of the grands with the soundboard size normally associated with a slightly larger piano. The verticals are said to have a greater overstringing angle, for the same purpose. Over the last few years, the Boston verticals have been redesigned for greater tuning stability and musical refinement. In particular, for its superior tuning stability, I would recommend for institutional use the 46" Boston model 118E over the 46" model 118S.
A number of features in the Boston piano are similar to those in the Steinway, including vertically laminated bridges for better tonal transmission, duplex scaling for additional tonal color, rosette-shaped hammer flanges to preserve hammer spacing, and radial rim bracing for greater structural stability. The Boston grand action is said to incorporate some of the latest refinements of the Steinway action. Cabinet detailing on the Boston grands is similar to that on the Steinway. Boston hammers are made differently from both Kawai and Steinway hammers, and voicers in the Kawai factory receive special instruction in voicing them. All Boston grand models come with a sostenuto pedal; the verticals have a practice pedal.
Boston grands also have certain things in common with Kawai RX-series grands: the composition of their rims, pinblocks, and bridges; tuning pins, hardware, and grand leg and lyre assemblies; radial rim bracing and a sostenuto pedal; and the level of quality control in their manufacture. The same workers build the two brands in the same factories. One important way they differ is that Kawai uses carbon-fiber-reinforced ABS Styran plastic for most of its action parts, whereas Boston uses only traditional wooden parts. Although similarly priced at the wholesale level, Kawai pianos tend to be a little less expensive to the retail customer than comparably sized Bostons due to the larger discounts typically given by Kawai dealers.
Steinway guarantees full trade-in value for a Boston piano at any time a purchaser wishes to upgrade to a Steinway grand.
Piano technicians are favorably inclined toward Boston pianos. Some find them to have a little better sustain and more tonal color than Kawai pianos, while being otherwise similar in quality. When comparing the two brands, I would advise making a choice based primarily on one's own musical perceptions of tone and touch, as well as the trade-up guarantee, if applicable.
Warranty: 10 years, parts and labor, to original purchaser.
FALL 2009 -- page 151
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Hybrid & Player Pianos
New-Piano Buyers’ Reference