Acoustic & Digital Piano Buyer (“Piano Buyer“) is a consumer guide to buying, selling, and maintaining new, used, and restored acoustic pianos and digital pianos, and is published online twice a year (Spring and Fall). It is the successor to The Piano Book and the Annual Supplement to The Piano Book.
For those not familiar with it, The Piano Book: Buying & Owning a New or Used Piano, by Larry Fine, first published in 1987, was, for many years, the principal consumer guide to buying an acoustic piano in the United States and Canada. The most recent, fourth, edition was published in 2001 and, though out of date in its coverage of new pianos, is still in print. An Annual Supplement was published each year from 1996 to 2008 to keep the information on brands, models, and prices of new pianos up to date. In 2009, Piano Buyer was created to bring The Piano Book and Annual Supplement into the 21st century.
At first published both online and in print, Piano Buyer became online-only in 2019, with the best articles from the previous decade saved in printed form in the book The Best of Acoustic & Digital Piano Buyer. All the old feature articles are also available free online. A smaller book, Piano Buyer Model & Price Supplement, containing only models and prices of acoustic pianos, and prices and specifications of digital pianos, is published in print form semiannaully.
Piano Buyer is supported by advertising, but is editorially independent of any manufacturer or dealer.
Piano Buyer is a hybrid book/magazine/website. The “book” part consists of a collection of how-to articles on the many aspects of buying a piano. Because piano buyers need this information all at once, not over a long period of time, most of these articles remain relatively unchanged from issue to issue. Our aim is to provide only the most useful and important information, succinctly stated, and to address the topics of broadest interest, so that you can be on your way to enjoying your piano as quickly as possible. For those readers desiring more, there is plenty of interesting material of a more technical or specialized nature in The Piano Book and, from time to time, on this website.
The “magazine” part of the publication consists of feature articles of more temporary interest, model and price data for new acoustic and digital pianos, and advertisements, all of which will be updated as necessary with each issue. The model and price data for both acoustic and digital pianos is also available in free, searchable databases, accessible from the website’s main menu.
Staff & Contributors
Larry Fine, RPT, is Piano Buyer‘s Publisher, Editor, and Advertising Director, and author of The Piano Book: Buying & Owning a New or Used Piano. Fine has been involved in the piano industry for more than 40 years. He can be reached at [email protected].
Dr. Owen Lovell, Piano Review Editor, is Assistant Professor of Music at Georgia College. He can be reached at [email protected].
Steve Cohen, Contributing Editor and Piano Industry Consultant, is owner of Jason’s Music Center, in Glen Burnie, Maryland. He can be reached at [email protected].
Julie Gallagher, design and production
Del Fandrich, Sally Phillips, acoustic piano technical consultants
Stephen Fortner, Jerry Kovarsky, digital piano technical consultants
Richard Lehnert, copyeditor
Other contributors to the current issue:
Ori Bukai owns and operates Allegro Pianos in Stamford, Connecticut, which specializes in the sale of new and restored high-end pianos. Visit his website at www.allegropianos.
Brian Chung is Senior Vice President of Kawai America Corporation and a leading proponent of the benefits of making music. He is also a pianist, and co-author of Improvisation at the Piano: A Systematic Approach for the Classically Trained Pianist. Visit his website at www.brianchung.net.
Delwin D. Fandrich has worked as a piano tuner, rebuilder, researcher, designer, and builder for over five decades. He has served as principal design and technical consultant for leading pianomakers worldwide. Fandrich has presented technical classes and seminars around the world, and has authored numerous technical articles in the Piano Technicians Journal. He can be reached at [email protected].
Joseph Fleetwood is a concert pianist, and currently the Narramore Fellow at the University of Alabama, where he is studying for his Doctor of Musical Arts degree. Originally from Scotland, Joseph was previously a piano teacher at hte University of Aberdeen and the University of St Andrews. His CD of J.S. Bach’s complete partitas is now available on the Sheva Collection label. His website is www.josephfleetwood.com; he can be contacted at [email protected].
Stephen Fortner has been a keyboardist since early childhood, and has played professionally since age 14. He was technical editor of Keyboard magazine from 2006 to 2009, and its editor-in-chief from 2009 through 2015. He has since founded Fortner Media, a content-strategy firm. He can be reached at [email protected].
Mike Kemper is a Los Angeles-based piano technician and expert on electronic player-piano systems. He can be reached at [email protected].
Jerry Kovarksy is a jazz and popular-music pianist/keyboardist with a BA in Jazz Studies. He worked for 30+ years with various electronic-keyboard companies as a Brand/Product Manager, Marketing Director, and Product Developer. The author of Keyboard for Dummies, he now plays professionally throughout the Hawaiian Islands.
George Litterst is a nationally known music educator, clinician, author, performer, and music-software developer. He is the coauthor of several musical applications for iPad, Mac and PC, including SuperScore Music, Home Concert Xtreme, Classroom Maestro, and Internet MIDI. These applications work with technology-equipped pianos and are available from TimeWarp Technologies.
Described by the New York Times as a “talented and entrepreneurial pianist” and an “able and persuasive advocate” of new music, Nicholas Phillips is an active recording artist and champion of living composers. He holds a Doctor of Musical Arts in Piano Performance from the University of Missouri–Kansas City Conservatory of Music, and currently is an Associate Professor at the University of Wisconsin–Eau Claire. Phillips is a Yamaha Artist, and can be reached through his website, www.nicholasphillips.net.
Over the past 35 years, piano technician Sally Phillips has worked in virtually every aspect of the piano industry: service, retail, wholesale, and manufacturing. In her role as a concert-piano technician, she has tuned and prepared pianos for concert and recording work in such venues as Town Hall, Alice Tully Hall, and the Kennedy Center, and for the Cincinnati Symphony Orchestra, the BBC Concert Orchestra, and the Vienna Philharmonic. At present, Phillips lives in Georgia and works throughout the southeastern U.S. She can be contacted at [email protected].
Alden Skinner was involved in both the manufacturing and retail sides of the piano business for over 20 years. He currently works in the high-end audio/video industry.
Chris Solliday, RPT, services the pianos at several institutions, including Lafayette College and Lehigh University. He lives in Easton, Pennsylvania, and can be reached through his website at www.csollidaypiano.com.
Chris Storch, RPT, is an acoustician with 25 years’ experience in the areas of architectural acoustics, noise and vibration control, and environmental noise abatement. Some of the more prominent projects on which he has consulted include Verizon Hall, in Philadelphia; Sibelius Hall, in Lahti, Finland; LG Arts Center, in Seoul, South Korea; and Fox Cities Performing Arts Center, in Appleton, Wisconsin. Storch is a 2009 graduate of the Piano Technology program at the North Bennet Street School, in Boston. He tunes and services pianos in the Boston area, and conducts research in piano acoustics in his spare time. He can be reached at [email protected].
Brookside Press LLC
P.O. Box 601041
San Diego, CA 92160
General and administrative:
Editorial and Advertising:
Larry Fine [email protected]
Book trade distribution (bookstores and libraries):
Independent Publishers Group (IPG)