Pianos made by: C. Bechstein Pianoforte Fabrik GmbH, Berlin and Seifhennersdorf, Germany; and C. Bechstein Europe Ltd. (former Bohemia Piano Ltd.), Hradec Králové, Czech Republic
Bechstein was founded in 1853 by Carl Bechstein, a young German piano maker who, in the exploding world of piano technology of his day, had visions of building an instrument that the tradition-bound piano-making shops of Berlin were not interested in. Through fine workmanship and the endorsement of famous pianists, Bechstein soon became one of the leading piano makers in Europe, producing over 5,000 pianos annually by 1900. The two World Wars and the Depression virtually destroyed the company, but it was successfully rebuilt. In 1963 it was acquired by Baldwin, and in 1986 Baldwin sold it to Karl Schulze, a leading West German piano retailer and master piano technician, who undertook a complete technical and financial reorganization of the company. In the early 1990s, Bechstein acquired the names and factories of Euterpe, W. Hoffmann, and Zimmermann. Pianos with these names are currently being sold in Europe, but only W. Hoffmann is sold in North America. In 2006 Bechstein purchased a controlling interest in the Czech piano maker Bohemia, and integrated it into a new entity called C. Bechstein Europe Ltd.
Bechstein says that all Bechstein-branded pianos are manufactured in Seifhennersdorf, Germany, and that W. Hoffmann pianos are made in the Czech Republic. Bechstein recently announced a technical-cooperation agreement with the Chinese piano maker Hailun, and it is widely believed in the industry that major components for some Bechstein and/or W. Hoffmann models are made outside Europe. With few exceptions, Bechstein prefers not to divulge where the components for its instruments are made, a policy that frustrates some industry observers who seek transparency. However, the company says that, whatever the origin, all parts are inspected and made to conform to its rigid standards; in my experience, all models, including the less expensive ones, continue to receive praise for their high quality.
Bechstein-branded pianos use Abel or Renner hammers, solid European spruce soundboards, beech or beech and mahogany for grand rims and some structural parts, and maple pinblocks. Three pedals are standard on all pianos, the grands with sostenuto and the verticals with practice pedal (sostenuto optional). Over the past decade, all Bechstein grands have been redesigned with a capo bar (eliminating the agraffes in the treble), higher tension scale, and front and rear duplex scales for better tonal projection and tonal color. Also, unlike older Bechsteins, which had an open pinblock design, in the redesigned grands the plate covers the pinblock area. For better tuning control, the higher-level pianos are without tuning-pin bushings.
Bechstein pianos are available in two levels of quality. The regular verticals and partially redesigned versions of the old grand models now comprise a lower-priced “B” series, and say only “Bechstein” on the fallboard. They were previously named the Academy series. The 51½" Concert 8 (one of my all-time favorite verticals), several smaller verticals, and the fully redesigned grands (models D, C, B, M/P, and L), are the higher-priced line and say “C. Bechstein” on the fallboard. The company says that both lines are made in Germany, though for cost-effectiveness some parts and components may originate in the Czech Republic.
The differences between the B series and C. Bechstein lines appear to be primarily in tonal philosophy and cabinetry. C. Bechstein grands were designed with a higher tension scale for better projection, and with various components that the company believed would result in the greatest usable palette of tonal color: tapered soundboard, vertically laminated bridges, hornbeam hammer shanks, solid keybed, thicker rim, and hammers with walnut moldings and AAA felt. The grand soundboard is installed after the inner and outer rims are joined. The ribs are tapered after being glued to the soundboard, and the heavy-duty rim posts are dovetailed and embedded in the rim.
The less-expensive, traditional, B-series grands have an untapered soundboard, solid beech bridge with beech cap, maple hammer shanks, expansion-type keybed, and hammers with mahogany moldings and AA felt. The same quality wood and strings are used in both. The rim parts are joined, and the soundboard and ribs installed, in a more efficient, less time-consuming manner than with the C. Bechstein models. C. Bechstein keys still use leather key bushings, whereas the B-series keys use the more conventional cloth bushings. Bone keytops are an option on the C. Bechstein pianos, and genuine ebony sharps are used on both series.
The company uses its own Silver Line action in the Bechstein series and, in the C. Bechstein series, its Gold Line action, which is made to slightly stricter tolerances. As part of its global strategy, the company uses multiple suppliers for nearly all parts; parts for the Gold Line action come from Renner in Germany, while Silver Line parts are sourced from several countries, including China. Both actions appear to be well made, and both are of the Renner design, with the smooth, responsive touch characteristic of that design. Of course, the parts from Renner are more time-tested than the others.
The C. Bechstein cabinetry is much sleeker and more sophisticated than the plain B series, though both cabinets are finished to the same standard. The C. Bechstein plates receive the royal hand-rubbed finish; the other plates are just spray-finished in the conventional manner.
When the two lines are compared side by side, there are differences in their finished quality and performance level. Although the B-series pianos are, generally speaking, very good instruments with a slightly warmer default tone quality, the C. Bechstein models clearly outperform this less expensive line, and are free of the small tonal inconsistencies and minor flaws we have observed in the B series. It’s possible that the comparative shortcomings of the B-series instruments could be remedied by further technical work, but it’s apparent that they are not prepped at the factory to the same standard as the C. Bechstein pianos.
C. Bechstein grands are impeccably made in Europe and are “orchestrally” voiced, a concept that the company says is related to the change of timbre at different velocities of touch. According to Bechstein, customers who do not explore this feature of tonal design often prematurely assume that the piano is voiced too bright for the American musical taste. (However, several of my colleagues had high praise for the wide dynamic range, tonal color, and responsive action of the redesigned 7' 8" model C grand.) The company maintains that since voicing is a matter of overall piano design, their pianos are voiced at the factory to their tonal standard and should not be significantly altered. Some customers may still prefer the slightly warmer sound of the B-series grands, which are also about half the price of the C. Bechstein models.
Bechstein engineers oversee production of the Bechstein-designed W. Hoffmann line of pianos in the company’s Czech facility. This is a mid-priced line intended to compete with other mid-priced pianos from Eastern Europe and Japan. Currently it consists of grands and verticals in three series. The Tradition- and Professional-series instruments are entirely made in the Czech Republic. The Professional series has a higher level of design and components, and more customized musical preparation by the company’s most experienced craftspeople. The Vision-series pianos are assembled in the Czech Republic, but their strung backs (the instruments’ structural and acoustical parts) are imported from China.
Bechstein also sells the Zimmermann brand, designed by Bechstein and manufactured in China. It is not currently available in North America.
Bechstein has a silent-piano option, called Vario, that can be built into any of its instruments. This option allows you to mute the acoustic piano and turn on a digitized sound of a C. Bechstein concert grand, which can be listened to through headphones for silent play. Optical key and pedal sensors transmit MIDI information for the control of music software. The Vario system adds about $6,600 to the price of a vertical piano, and about $11,500 to the price of a grand.
Warranty: 5 years, parts and labor, to original purchaser.